Materials

In addition to special, resonant designs, acoustic room treatment relies heavily on so-called porous absorbers. These are open-pored or open-celled structures which let air pass through, but apply some resistance. This friction converts sonic energy into heat energy and slows down the movement of the air. This is what we call absorption. Materials used include PU foams, melamine resin foams and mineral wool. They all have the same working principle, but quite different sonic characteristics.

Polyurethane

Polyurethane (PU) is a frequently used synthetic material that can be foamed. Its open-pored characteristics are vital for the use in absorbers. Ether-based polyurethane is very durable. Despite its high stability, PU foam is elastic, doesn’t break and is very light.
This combination, together with the low cost, makes PU foam an efficient material for acoustic absorbers. PU foams are easy to cut, glue and mount using fasteners. While polyurethane foams are available in a variety of colors, you should not paint them yourself. This would destroy the open-pored structure.

Basotect

Basotect is the brand name of an open-pored foam made by BASF SE, which consists of melamine resin and is frequently used in absorbers. Basotect is lighter than most PU foams, offers better temperature insulation and is less flammable. For these reasons, it is often used in industrial applications.
It is also less flexible than PU foam, which is both an advantage and a disadvantage. Basotect panels can be hung like a picture, stood upright in corners or used in paneled ceilings. However, they break much more easily and can crumble a bit. In contrast to PU foam, it is not possible to screw them to the wall.
Many absorbers made from Basotect panels have an adhesive backing and a membrane covering on the front side, which increases low frequency absorption and makes them more stress resistant. Basotect is also available in white, which increases the visual design options. However, it should not be painted, as that would destroy the open-pored structure.

Mineral Wool

Mineral wool is a classic material for soundproofing and insulation and is widely used in construction. Synthetic mineral insulation materials can roughly be categorized in glass wool and rock wool, which use different proportions of melted rock, sand and glass.

It’s impossible to make a general assertion as to which material has the best sonic characteristics without considering the application. In acoustic applications, rock wool is often used as wall insulation, while glass wool is more often used in “open” absorbers. Both should not be used without a protective covering, as particles and dust can cause irritations of the skin and respiratory organs. This is why both are most often used in enclosed boxes and covered with cotton fabric. Since 1998, Germany has limited the use of mineral wool to varieties not suspected to be cancerous, but older building materials may still be present in older buildings.

Some acoustic treatment materials don’t provide absorption directly through the material, but due to the construction. That’s why it is not a problem that these materials have smooth surfaces. Here are some examples of these materials:

Some acoustic treatment materials don’t provide absorption directly through the material, but due to the construction. That’s why it is not a problem that these materials have smooth surfaces. Here are some examples of these materials:

EPS

Expanded Polystyrene (EPS) is a synthetic foam best known by the brand name “Styrofoam”. In contrast to PU foam and Basotect, it is not open-pored and not suitable for use as an absorber. It is, however, used in diffusors and similar devices, which disperse the sonic energy due to their shape, while still reflecting it.
Some diffusors also have slightly absorbent characteristics. These are due to their shape rather than the material, and can usually be neglected. EPS can be painted, but care should be taken to use paint and solvents that do not harm the material.

Wood

Wood is not open-pored and doesn’t absorb sound, but it is often used for framing acoustic modules. Likewise, many diffusors are made of wood, which provides an attractive and aesthetic look. Acoustic modules that use wood tend to be heavy, which is why it’s usually not possible to glue them to the wall. Wooden modules are generally bolted to the wall. Wood can be painted, varnished and stained.

Products

Our absorbers are designed to reduce reverberation, absorb reflections and control standing waves (room modes). Here, you’ll find everything you need to know about our absorbers.
Our diffusors disperse reflections and eliminate flutter echoes, resonances and comb filter effects. Here, you’ll find everything you need to know about our diffusors.
Our bass traps are designed to optimize the low frequency range in recording studios, home cinema setups and rehearsal rooms. Here, you’ll find everything you need to know about our bass traps.
From drum shields and vocal booths to isolation pads and mic screens: Here, you’ll find a wide variety of products that can help to improve your acoustics and your sound.

Topseller

Contact Glue

23.57 cm x 7.08 cm x 5.61 cm, white,

SA-N30 18pcs set

1000 x 500 x 40 mm, grey,

new

Absorber Wall Modular 192

193.5 cm x 62 cm x 32.5 cm, grey,

new

Vocal Head Booth Stand Bundle

, grey,